![]() | Starring: Rachel Weisz, Alessandro Nivola, Luka Petrusic, Labina Mitevska, Carmen Ejogo Director: Michael Winterbottom Format: PAL Released: 17 Feb 2005 RRP: Average Rating: ![]() |

The plot is, on first glance, a simple one... relying on a series of emotional triggers, whilst playing with the usual cinematic chronology to go backwards & forwards into an event from the past. However, as we further explore the films sub-textual ideas, & the shadowy morals of the central quartet of characters, we discover hidden depths that have more to do with perception, memory & perspective. Winterbottom sets up an idea that each character sees an event in a certain way... so we have multiple viewpoints alll jostling for our attention. The resulting plot becoming much more of a puzzle, as we are further immersed within the shocking incident that bookends the narrative. Added to this, we are also given a narrator who cannot be trusted, which in turn leads us into a series of twists which expose the characters true intentions. The ultimate pay off comes right out of nowhere & knocks us off our feet... as the director subverts everything that we’ve seen & turns it into an almost epiphany. It’s one of the most satisfying pay offs to a crime thriller that I have ever seen.
The photography of Idziak takes us into further labyrinthine realms that perfectly complement the seedy atmosphere & perpetual drive of lust & obsession... with each of the scenes relying on various colour filters that not only highlight the mood, but also act as a visual anchor to the characters & the emotional context of that moment. The music too is detailed & significant, with Winterbottom using a series of musical motifs to expressionisticallly represent the emotional underlining of the characters... in a film that relies on sound as such an integral component of the script; this is expertly handled. The inclusion of Elvis Costello’s eponymous anthem (from which the film takes it’s title) is totallly relevant, & certainly adds a much-needed sense of reality to the self-contained world of the plot. The central performances only help to give the film an added depth, with the two youngsters (Luka Petrusic & Lubina Mitevska) complement the more seasoned members of the cast perfectly. In the lead role of Helen, Weisz exudes a provocative, sexual energy, whilst Nivola is a revelation as the broken-down Martin.
I Want You is one of the most striking & evocative works of the last decade. An example of British cinema pushed beyond the realms of kitchen-sink & ably demonstrating a sense of visual imagination rare for this kind of genre. The video transfer found on the Polygram distribution release is of a high standard, as is the Dolby encoded soundtrack... but there’s no wide-screen. This means that many of Winterbottom’s carefully composed images are lost & distorted, which for a film of this nature is a real disappointment. Regardless, this is an exception film for those who enjoy their thrillers with a dark underlining & a distinctly multi-dimensional edge. The only question that remains unanswered is... when can we get this on DVD?

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