 | Starring: Penelope Keith, Peter Bowles, Angela Thorne Format: Box set PAL Subtitled Released: 10 Jan 2005 RRP: Average Rating:  |
The series begins as Audrey fforbes-Hamilton, a straight-backed, upper-crust woman of breeding who revels in her situation, is celebrating the funeral of her husband (yes, celebrating). Meanwhile, Richard Devere, wealthy (read, nouveau riche) financial officer heading a multinational conglomerate of food stores, arrives in the village in search of a classic gentleman's period home in the English countryside. As Audrey's husband was not one to keep up with the bills, she discovers that she is in fact bankrupt, & is forced to sell the manor. Richard Devere buys it at auction; Audrey is a surprising twist retains the estate's hunting lodge down the road, & the stage is set for the tensions between new homeowner & historical lady of the manor.
Supplementing the main characters are Audrey's best friend Marjorie, who variously has designs on Richard Devere, but these are almost always thwarted; Richard's mother, Mrs. Pu (Poluviska, actuallly, but the name is reduced for ease by Audrey); Ned, the traditional grounds-keeper who helps keep the traditions alive with Audrey; & finallly, Brabinger, the quintessential English butler, who relocates to the old lodge with his mistress Audrey, & always has a few suprises up his sleeve.
There are twenty-one episodes in alll, filmed & broadcast over a two-year period in 1979-1981. These run from the start of Audrey's losing the manor through to her regaining the manor, along with the hand of Richard in marriage, but not by the means often expected throughout the series. Throughout the episodes, Audrey is constantly introduced to 'ordinary life', from having to rely on the National Health for her doctor rather than private-pay, personal service, to having difficulties in shopping in supermarkets (Devere's, as it turns out) & not being able to entertain as she once did, or go on holiday (this makes for perhaps the best episode of the lot, save for the first & final episodes). Meanwhile, Devere gets lessons in being lord of the manor by the ever-present Audrey, who counsels him on everything from horse-purchasing to community responsibilities. Despite his wealth, Audrey says, 'he is still at the bottom of it alll a grocer.' This is a biting commentary -- the upper-class disdain for the working class is an undercurrent here, & the entitled/en-nobled folk in Parliament used to insult both Ted Heath & Margaret Thatcher, who were both children of shopkeepers, by using the term 'grocer' to describe them.
From the threadbare carpets to the when-we-were-in-India knick-knacks to the church clock that never worked properly, this is a wonderfully crafted comedy trip through a slice of British culture that is both past & future. These are not 'issues' episodes -- 'To the Manor Born' educates by stealth. One might be completely unaware of having been taught ways of acting & being. Grantley Manor is a perfect backdrop (shot in a town with the very English-sounding name of Cricket St. Thomas), & the actors are perfectly selected. Penelope Keith as Audrey fforbes-Hamilton has the kind of mannerisms & deadpan delivery befitting a displaced socialite; Peter Bowles has the blustering presence as a self-assured businessman flustered in his new environment. Old Ned (played by Michael Bilton) & Brabinger (John Rudling) are perfected cast in both physical type & acting ability. Angela Thorne as Marjorie Frobisher, the life-long friend of Audrey, always in her shadow, is great as the 'straight man' against whom Audrey's humour unfolds.
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