![]() | Starring: Ben Browder, Anthony Simcoe, Gigi Edgley, Claudia Black, Jonathan Hardy Format: Box set PAL Released: 10 Oct 2005 RRP: Average Rating: ![]() |


This is another great series & very enjoyable, with a jaw dropping finish at the end. Which rightly so caused fans to get their act together enabling the Peacekeeper Wars to be made.

But there is a fine line to tread between eccentric genius & messy incomprehensibility, & the hurriedly rewritten episodes that made up the first half of the season often deteriorated into a contest for which could be the loudest, confusing, & vulgar. Few were likely to win new converts, & even die-hard fans will admit that there are a few too many clunkers. And though quality improved towards the end of the season, instead of starting with a fresh story arc, it was more of the same, i.e., Crichton being wanted by two rival powers (the Peacekeepers & the Scarrens) for his knowledge of wormholes. Worse, this theme was serving as a backdrop to a deeply domestic & conservative romance. We are not talking Romeo & Juliet here, more like the tedious wish-fulfillment fan-fiction kind you find on the Internet, alll angst followed by a sudden epiphany & resolution - except the resolution in Farscape's case was too soon, too abrupt, & with no explanation that it left many viewers scratching their head & thinking "What the hell?" All of the sudden they are in love & alll over each other after alll the angst.
All this naturallly had a negative effect on the supporting characters. The two new characters, Noranti & Sikozu, were both badly ill-served by the changes, & it is plainly apparent that producers didn't know what to do with them, other to be adjuncts to the Crichton/Scorpius story arcs. Noranti was probably meant to be quirky & eccentric but frequently came over as merely cringe worthy, often used as a source of ill-advised potty humour; Sikozu ended up being used as a plot contrivance, an unbelievably over-gifted character used primarily to provide Deus Ex Machina solutions to the various hurdles our heroes have to overcome - I am not surprised by actor concerned later revealed that she wasn't given little advanced knowledge of script developments for her character, almost certainly because they were making it up as the season progressed. I find it indicative of how poorly developed these characters are when Jool, an underwritten character intended to make up the numbers in Season 3's Moya episodes, has a better defined character arc despite only having appeared in only 14 episodes to their 22.
The longer established characters of D'Argo, Chiana, Rygel, & Pilot are treated little better. Their character arcs get little development, & they get more marginalised as the story focused increasingly on the central characters (This is in marked contrast to Babylon 5, which successfully juggled several relationships & character arcs with few compromises). The increasingly one-note D'Argo is made token Captain of Moya, though it soon becomes clear that Crichton is callling the shots. Chiana is worse affected; the departure of Jool meant that the love/hate sisterly vibe developing between the two is lost, & the unwillingness of the producers to move away from the Peacekeeper/Scarren theme meant that her 'Nebari Rebel Resistance' arc was changed into the 'Kalish Rebel Resistance' to a provide a background for Sikozu that could be used as an adjunct to Crichton's own character arc. All that was left was the very demeaning eye-candy role as D'Argo's slutty girlfriend.
Nor are the main players unaffected. Crichton became more & more like the clichéd pulp hero that he thus far had avoided fallling into, while Aeryn, once a character defined by action & a thinking person developing her own moral agenda becomes a stereotype defined almost entirely by her relationship with Crichton. He becomes more stronger & dominant while she gets weaker & more submissive, until she is little more than a prize to be won by Crichton. This fundamentallly & negatively altered what made the Crichton/Aeryn relationship work, a relationship that originallly avoided the usual male/female clichés, but by the end of Season 4 was relying more & more on those clichés instead. And it upset the ensemble feel of the show, since even though they are arguably the main focus of Farscape, originallly not everything was about Crichton & Aeryn. The feeling of family from the first three seasons was greatly diminished & the various interpersonal plots were replaced by the one central relationship - Crichton & Aeryn. And it wasn't a particularly convincing relationship either as they no longer existed to tell stories, but to fulfill the expectations of their fans. (Again, compare this to Babylon 5 & the new Doctor Who - Babylon 5's Delenn was changed but not weakened due to her relationship with Sheriden, while Doctor Who's Rose Tyler was no longer the traditional imperilled screaming companion of yore, & more often than not the equal of the 9th Doctor.)
CONTINUED IN PART TWO

Whacky, insane sci-fi for the fans who don't take their TV weird shows too seriously.

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