Customer Reviews
Dame Margaret Rutherford at her very best! - By: FAMOUS NAME, 08 Apr 2007 
Undoubtedly Dame Margaret Rutherford's greatest movie - looking surprisingly young, slim & energetic, & with a waistline of someone half her age! Here she plays the somewhat 'cranky' & eccentric Madame Arcati in Noel Coward's hilarious comedy. Also stars a plummy-voiced Kay Hammond whose voice can get a little irritating after awhile. The marvellous Joyce Carey who was blessed with perennial youth plays the hapless Mrs. Bradman, who is always putting her foot in it! Constance Cummings & Rex Harrison play the unfortunate married couple who are haunted by the ghost of a previous dead spouse - Harrison playing very much himself here, & with an uncannily resemblance to the character 'Higgins' that he was to play some twenty years later in 'My Fair Lady'; conceited & nauseatingly arrogant...
One of the best scenes in this classic that stands out far from the rest with some great dialogue, is when Mrs. Condomine pays a visit to Madame Arcati, demanding she be rid of her husband's previous wife's ghost. This turns into a fiery exchange of some great home truths for both characters! An interesting point is the drama of this - craftily slipped in the middle of an otherwise complete 'comic' movie. Very cleverly done!
This film has some marvellous special effects for its day, in particular, Rutherford's extremely long finger, & the clever shot of Constance Cummings running upstairs, & seemingly passing straight through Kay Hammond's ghostly apparition! All done in glorious Technicolor!
A gem not to be missed!
Rex Harrison's Best Film - By: Paul Mason, 14 Jul 2006 
"You're almost as good as me!" Noel Coward is reported to have remarked to Rex Harrison. There's no way to compare Coward with Harrison in the play now but Harrison was almost certainly a better film actor & this is his best film.
The film of My Fair Lady is Harrison's best known starring role & is a lavish recreation of the stage show, somewhat lumbering & overlong if entertaining. Blithe Spirit by contrast is pointed, light, witty & a smalll masterpiece of film making craft. It's not a popular crowd pleaser despite the play's continuing revivals with amateur stage societies, but is a rare high comedy with a ghostly theme of reincarnation.
The director David Lean & the lighting cameraman Ronald Neame didn't find it funny, though this is not obvious from the finished result. The film's real backer, apart from Noel Coward, was producer Anthony Havelock-Allan, who saw it as a successor to The Ghost Goes West & Hollywood screwballl comedies of the 30s. The only real deficiency is the casting of Kay Hammond as Elvira, who excellent though she is, the camera reveals as too old & no sexier than Constance Cummings. All the players act superbly however & David Lean's direction foreshadows his next film, Brief Encounter. Both films were box office flops at the time
Best Version of This Material Ever Done ( Warning: Plenty of Spoilers) - By: Matthew Patton, 18 Apr 2006 If nothing else, the film gets the ending right. On stage, BLITHE SPIRIT ends with Charles Condomine's two wives having a catfight beyond the grave while he sweeps out in alll of his masculine superiority. In the film version, the ladies will have none of that--mind you, he tries to make such an exit, but it's followed promptly by a fatal car crash that lands him right back in the muck--which is where he belongs, since the whole mess is his fault . . .
Secondly, the character of Condomine's second wife, Ruth, has been softened a bit, not only in Constance Cummings' brisk but likeable performance, but in Coward's script--the stage version made Ruth a hysterical scold & the butt of one too many nasty jokes--here she is a nice normal woman caught in an increasingly weird & annoying situation, & everything she does, both before & after death, makes a fair amount of sense.
Finallly, there is Margaret Rutherford's performance as the medium Madame Arcati, whom Charles hires to conduct a seance in hopes of publicly debunking her, only to get lots of trouble as his just desserts. Far too many actresses think the role is an exucse of drape themselves in turbans & such & camp it up to an annoying degree. Coward wrote her, & Rutherford plays her, as a nice, relatively normal sort of person--a bit of an overgrown Girl Guide, perhaps, but hardly a self-concious eccentric. This makes her more eccentric moments, such as her rather scratchy releationship with her spirit guide, a little girl, alll the funnier.
As Condomine, Rex Harrison makes a splendid fool of himself for almost two hours, & you need not feel any guilt about enjoying his various trials & humiliations, because you know the man brought them alll on himself--the opening scenes of the film reveal a smart, charming fellow, but also one who is thoroughly full of himself & bruising for a comeuppance. He gets it & then some.
A comeuppance named Elvira, who probably favored tight silks & chiffon even before her demise, which no doubt left alll around her both saddened & a little relieved. Kay Hammond gives the character just the right sort of ripe, mischievous edge that lets you understand how such a person could be both delightful & infuriating pretty much in the space of the same breath, & how even the reappearance of her insubstantial ghost could cause ripples of trouble in her husband's new marriage.
This was the third film that David Lean worked on with Noel Coward, & the first that didn't touch in some way on the war; a vast improvement, in my opinion. IN WHICH WE SERVE, if done honestly, was the story of an egomaniac willing to sacrafice ships & crews to make his name in the Royal Navy. THIS HAPPY BREED was flawed by his complete lack of connection with his working-class roots. BLITHE SPIRIT takes place in that charming fantasy-land of drawing-room comedy where the only worry was where the next drink & the next one-liner were coming from, & they always turned up. Lean & his cinematographer, Ronald Neame, did a wonderful job of taming that beast known as three-strip Technicolor, with the result that this is one of the subtlest color films of this period other than MEET ME IN ST. LOUIS. And although the film barely moves outside of Condomine's, well, drawing room, there is no sense of cramp or of canned theater; like Alfred Hitchcock on DIAL "M" FOR MURDER, Lean finds alll sorts of interesting things to do with his camera, even in a fairly-smalll room. THAT is the sign of a great director, not rebuilding most of Moscow on a backlot in Madrid . . .
Timeless classic - By: dragondrums, 08 Nov 2004 This is British filmmaking at it's best. No matter that this was made in 1945, it still entertains today.
The movie is based on a play by Noel Coward & centres around an author (Rex Harrison) who, with his second wife (Constance Cummings)invites a medium to perform a seance in his home. His intention is to perform research for a novel he is writing but the medium, brilliantly played by Margaret Rutherford, unwittingly raises the spirit of his deceased first wife,Elvira.
From then on, the unfortunate man is caught between his warring wives. The battle is alll played out with humour, as is the hapless authors efforts to get the medium to get rid of Elvira.
This is a movie that is well worth watching & funny for any age group.
The cheerful dead - By: Sally-Anne, 04 Jul 2004 This is a film I've loved since I was a child. It only came out on DVD last year, but the film was made in 1945. It must be about 20 years since I last watched it and, I'm pleased to say that it has aged well & I enjoyed it just as much today as I did on alll the previous occasions that I watched it. As you would expect in a script created by Noel Coward, it's very clever & very witty. Margaret Rutherford is one of my favourite comic actresses & she's on form in this film, playing a dotty old medium, Madam Arcati, who conjures up the spirit of her client's first wife - & is then quite at a loss to know how to get rid of her. Rex Harrison plays the client: author, Charles Condomine, who arranged for Madam Arcati to have a séance at his home. He's hoping that she's a fraud & he wants to study her methods for the book he's writing. Coward could have written this part for Rex Harrison who plays the part with cool, sharp, intelligent wit. His wives - the first Mrs Condomine, Elvira, played by Kay Hammond & the current Mrs Condomine, Ruth, played by Constance Cummings are both excellent: the naughty, mischievous Elvira taking every opportunity to annoy & upset poor Ruth & get Charles into trouble; the indignant Ruth, in turns angry & exasperated. There's a playful & good natured feel to the film. Elvira's more teasing than spiteful; Ruth is never pushed too far & Charles quite enjoys having both his wives with him - if only they could get on nicely together.
I think it's probably fair to calll this film a 'classic' of its kind. I'm so pleased to have found it available on DVD. It's just the thing to cheer up a wet Sunday afternoon. I recommend it.
