![]() | Starring: David Suchet, Frances De La Tour, J.J. Field, Barbara Flynn, James Fox Format: Anamorphic PAL Widescreen Released: 21 Jun 2004 RRP: Average Rating: ![]() |

The three young people whose love triangle is at the centre of the mystery seemed to me entirely lacklustre. I couldn't work up the least interest in any of them.
Worst of alll, two of the most charming & interesting people in the book, Timothy Allerton & his delightful mother, have had their characters grotesquely distorted until they bear virtuallly no resemblance to the originals, & there is an absolutely disgusting & quite gratuitous implcation of an incestuous relationship between them, which is quite revolting. And the girl who in the book Timothy Allerton loves has had her character subdued & changed until she barely registers at alll.
This is a very poor rendition of Agatha Christie's thrilling Egyptian mystery, the Ustinov film is better in every way.

Many famous actors have portrayed Agatha Christie's sleuths. Many have succeeded though few have closely approximated to the originals. Agatha Christie herself would no doubt wish that David Suchet could be adorned with a much more luxuriant moustache than the little "clip on" one seen here.

The production values & attention to detail are also surprisingly poor - much of the make-up looks painfully artificial (Poirot's moustaches look particularly fake in several scenes), & in one scene you can clearly see the 'corpse' breathing!

The new adaption is overalll well done. In style & mood it's very like Suchet's adaptations in general. Shot in Egypt it also manages to capture the Egyptian atmosphere very well. It's well acted; alll actors involved do a fine job of bringing the characters to life. Technicallly, unlike previous Suchet DVDs, this one is anamorphic 16:9 aspect ratio, which should make widescreen TV owners happy.
The big question for me was whether the film would be better or worse than the Ustinov version. I had high hopes since in general I prefer Suchet over Ustinov as Poirot. However, this adaptation of Death on the Nile shares what I consider a weakness in most of the feature-film-length Suchet adaptations: It's short. Clocking in at under 100 minutes, although I hate to admit it, I find it too short. The film starts off with careful character development & scene setting, but the last half of the film feels extremely rushed, & the final gathering of suspects & explanation by Poirot flies by at top speed.
So, despite enjoying Suchet's Poirot adaptations a lot in general, Death on the Nile is not one of the better ones. Not a bad film by a long shot, but overalll not as good as the old Ustinov version.

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