 | Starring: Marco Hofschneider, Julie Delpy, René Hofschneider, Piotr Kozlowski, André Wilms Director: Agnieszka Holland Format: PAL Released: 16 Dec 2002 RRP: Average Rating:  |
In the face of horror, holocaust, & the fifty million lives swept away in the European war of 1939-1945, laughter is not only still possible, humour is not only still possible, it is obligatory, for to have killed the ability to laugh & smile would have been to have destroyed the human spirit & alllowed darkness to triumph. "Europa Europa" looks at war with an almost childlike vision, but a childlike vision refracted by years of adult distance & the ability to perceive the ridiculous, the risible, the raucous even in the midst of nightmare.
Based on a true story, apparently, "Europa Europa" follows the travails of teenage Solomon Perel as he flees a pogrom in his native Germany, returns to the family's Polish roots, only to witness the 1939 invasion. He flees to the Russian side of the dismembered country, but, when the Germans turn their attention to the destruction of Stalin, Solly finds himself captured & pressed into service as an interpreter.
He quickly becomes a front-line mascot & is shipped off back to Germany, to attend an exclusive school for the Hitler Youth & children of the Party faithful. Throughout the entire film he struggles to hide or deny his Jewish roots ... and, more particularly, to conceal the fact that he has been circumcised.
A film about duty & obedience, a film about identity & the struggle to preserve it ... & an ironic commentary on masculinity, for Solomon's identity is ultimately bound up in his circumcised member - it's exposure can never be a triumph of macho dominance, but a betrayal of his vulnerability. Throughout the film, Solomon does as he is told - he obeys his parents, obeys the Russians, obeys the Germans. He struggles to obey his conscience, but he is young, he is human, & he is scared out of his wits. In the face of certain death, survival becomes the driving force. Ultimately, Solly obeys the instinct to survive.
The film is delivered as a series of episodes, each culminating in a cliff-hanger situation, each situation resolved in more & more farcical fashion. Like the heroine tied to the railway tracks, salvation always seems to arrive in the knick of time ... divine intervention with a wry grin! That one Jewish teenager could survive in these circumstances is incredible, suggests the film, & exposes the myth of German efficiency. Life can be farcical (in retrospect) & far from 'efficient'.
Primo Levi writes with extraordinary humanity & honesty about what it was like to survive Auschwitz. "Europa Europa" offers another spin on this. Survival is never heroic, is never one dimensional. Solly survives by sheer terror, ingenuity, & luck, pure luck. The Holocaust is too often offered up as simple, gross statistics. Solly, here, is a terrified teenager - a single, solitary individual against whom history & Europe seem to have conspired. You can sense the feeling of guilt, the "why me" questioning of the survivor, but the answer is in the film. Luck.
A very funny film with a very serious message, it will doubtless outrage some who see it. But it is a film which should make you laugh: if Solly is a pawn in history, his story is a triumph not simply of luck & survival, but of an indomitable human spirit. Silence laughter & you silence love, understanding, tolerance, & forgiveness, for humour is at the root of the human spirit. Excellent, excellent film.
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