Customer Reviews
IF YOU ARE A SELLERS FAN AND HAVE NOT SEEN IT YET, WATCH IT FIRST BEFORE READING THE REVIEWS, ESPECIALLY AMAZON'S - By: Lou Knee, 04 Jun 2008 
Obviously read my review, of course, but I write this only to advise PS fans who somehow have not got round to watching this yet & are not familiar with the story, to simply buy or rent the thing & watch it! (And don't read the blurb on the back of the case as they ALWAYS give away too much). Of course it is not a disaster if you find out what it's about before you watch it, as the film reallly is worth watching, but I think with this one, it reallly does enhance the enjoyment to let this excellent & unusual tale fold out & reveal itself from ground zero as it were, that is not knowing anything about it. Of course I would love to put my tuppenceworth in & say my bit about the film like the others, because I reallly, reallly rate it, but I don't want to spoil the experience for you (if you are not yet familiar with it). For me, watching this with hardly any knowledge of what it was, was like being introduced to someone who was to become a life long friend. I wouldn't say it doesn't have its little faults here & there like any ambitious original narrative, but they are so overwhelmed by the essence of this story they just melt into insignificance. This is marvelous film making, film making for adults.
P.S. I'll alllow myself just one opinion on it, & that is on the performance of PS. Wow - such a personal portrayal, completely unafraid of baring his soul, it looks more like a man turning up for psychotherapy than simple acting. Pretty memorable. Sorry, two then - the screenplay is fabulous, very mature.
A soul-baring character study from the man who claimed he didn't know himself - By: L. Camuti, 03 Oct 2006 Along with Being There, Dr. Strangelove, a rarity callled The Optimists & Lolita, this ranks among Peter Sellers' finest dramatic performances. As the story unfolds, fans who know Sellers only as Inspector Clouseau from the Pink Panther films may wonder, even recoil, at his choice of this role. For, although Benjamin Hoffman is an ostensibly respected, successful businessman, at an emotional & personal level he is a desperate, devious & downright nasty guy who is blackmailing his secretary to spend a week in his bed. He hopes, anyway--and expects, for the purpose of a consummated union. As if the currency of his physical demands could satisfy his emotional bills.
Why, indeed, did Peter Sellers want us to care about this apparently despicable fellow? Why, as always, does he use humor to humanize & expose the vulnerability & sensitivity of this otherwise unlikable chap? Why does he want us to look deeper, to understand that beneath Hoffman's embittered surface lie hopes, dreams, a heart that was betrayed?
For years, Sellers claimed publicly that his own identity eluded him; that, if asked to play himself, he would not have the first idea how to do so. His choice of the role of Benjamin Hoffman is a resounding testament as close to an admission of self-perception as you're likely to find. I believe that he did recognize his own shortcomings, but he could only admit them to himself from the safe distance of a role.
In any case, this is a reallly beautiful performance from Sellers. How bold it must have been, by late 1960s standards, to portray with such depth the loneliness, desperation, borderline neurosis of a man facing middle age alone. The chemistry between Sellers & Sinead Cusack as the young & reluctant secretary is terrific. And as always, Sellers brings to bear his amazing insight into human frailty to make us laugh, to redeem this tortured soul, Hoffman.
If you're looking for a movie with something deeper than the technology-laden plots & superficiallly written characters we see alll too often these days, have a look at this. The ending, albeit dreamily optimistic, is heartwarming & hopeful, & I think you'll find you do care about Hoffman.
not for laughs but smiles - By: DH Dixon, 24 Apr 2006 This is one of my favourite films. It is a gem technicallly, great for late 60s period nostalgia, acting, script, film making & charm. It is a witty (and satirical) kitchen sink drama, but it is not for those who only want Peter Sellers the comedian. It is beautifully made, in colour, with a haunting score by Ron Grainer, & it is one of the best British films of the 60s. Magical.
