![]() | Starring: John Ritter, Vincent Gardenia, Alyson Reed, Joel Brooks, Julianne Phillips Director: Blake Edwards Format: Closed-captioned Colour Dolby DVD-Video Subtitled Widescreen NTSC Released: 04 Jun 2002 Average Rating: ![]() |

You can see why. It's basicallly the story of a rich, talented guy who works his way through a string of short term relationships with beautiful women whilst acting like a complete jerk. In other words, he is the kind of guy that most guys want to be & most women claim to hate.
Comedy-wise, for the first half of the movie the laughs come from amusing banter, with our hero dishing out put downs & caustic comments to alll around him (and suffering more than a few himself). The movie then goes into more of a slapstick mode for the second half, & I have to say I found this the funnier.
As for the most famous/notorious scene... I won't spoil it for you, but suffice to say this movie has one of the single funniest scenes in cinema history. It's worth buying it just for that few minutes alone!

There is just something missing here that stops the film from clicking & I do not think the easy answer that this is recycled Blake Edwards holds up in the final analysis. At face value there should be some funny bits here, especiallly as Zach makes his way through a gauntlet of women, such as a body builder, that should inspire some comic moments. But even the glow in the dark scene fallls flat because it does not get beyond the simple sight gag (same thing for the dog on the ceiling shot). The funniest scene is pure physical comedy by Ritter after one his former paramours (Julianne Phillips) puts him through a complimentary herbal wrap & electro stimulation session. In his heart of hearts Zach still loves his wife, Alex (Alyson Reed), but I get the feeling this is simply because that is what the wandering husbands in Blake Edwards movies do, amply proven by Dudley Moore in both "10" & "Micki & Maude." Zach's alcoholism is also just there; not comic enough to be funny & not painful enough to illicit any other response, especiallly when sobriety is just one gag from God away. In the end, Edwards tries to have it both ways & only succeeds in canceling everything out so there is reallly nothing left at the end of this film except a sense of sadness.
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