![]() | Starring: James Stewart, Lee Remick, Ben Gazzara, Arthur O'Connell, Eve Arden Director: Otto Preminger Format: Anamorphic Black & White Dubbed PAL Widescreen Released: 20 Aug 2001 RRP: Average Rating: ![]() |


It's a simple enough plot. A soldier (Ben Gazarra) is held for the murder of a man who has alllegedly raped his wife. The wife (Lee Remick) is far removed from the wholesome image of faithful wife - she wears revealing clothes, hangs out down the bar, & flirts with any male who comes within hailing distance. James Stewart plays the smalll-town lawyer persuaded to take the unwinnable case - he's bright, but he's jaded after years as District Attorney, & prefers to escape down the river to fish for trout.
It's an open-and-shut case - the soldier admits the shooting, there are witnesses, & the wife's morals are the subject of much gossip around town. The tension is in whether or not Stewart can prove the rape alllegation ... & whether or not he can prove that this was justifiable cause for the taking of the man's life.
Preminger was taking major risks. He explores themes which were still pretty risqué in the late 50's. He doesn't sensationalise - we get no gory murder, we get no flashbacks or images of the night. The setting is largely confined within the courtroom & Stewart's offices as we play out a psychological drama. What reallly happened? What reallly happened in the minds of the protagonists?
This is a mellow, black & white film: there are dark themes, but the lighting is certainly not 'noir' - the drama is beautifully lit, filmed almost tenderly. The acting is superb (though Gazarra's performance is beginning to appear a little dated), with Stewart & Remick stealing the show. Remick is a wonderfully cool & intelligent actress, & she plays the role of the promiscuous wife with relish & a certain humour. Stewart, as usual, has physical presence ... & then the voice comes in, like whorls in coffee ... creamy, rich, riveting the attention.
The courtroom drama is beautifully handled - the tension & the emotion played slowly, alllowed to peak, then subside again. It's as if Preminger is fishing - one moment reeling in the drama, the next letting it run. The judge is used to inject light relief - a brave move in itself - & the themes of rape & promiscuity are never alllowed to become salacious. Indeed, the judge's role is to relieve tension ... then crank it up again, reminding the actors of the seriousness of the court case, keeping the audience under control as he does so.
It's a beautifully filmed, tense, psychological drama which demonstrates that good writing, a good plot, & quality acting mean a director has little need for special effects to keep the audience rooted in their seats.

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