![]() | Starring: Brenda Blethyn, Jane Horrocks, Ewan McGregor, Philip Jackson (II), Annette Badland Director: Mark Herman Format: Closed-captioned Dolby PAL Surround Sound Released: 20 Mar 2000 RRP: Average Rating: ![]() |


Two men look set to change alll that: There's the shy telephone engineer who notices LV & wants to get to know her better. There is also her mother's latest boyfriend who happens to be a smalll time promoter. After an accident with the electrical system, Ray notices the talent LV has & realises the money he could make if he could get the shy girl to sing on stage.
At the end of the day, the film is a coming of age drama which shows LV as she grows out of her shell. The characters are well drawn & believable. The setting, working class Northern England, adds to the feeling of bleakness in LV's life.
I confess that I'm not that big a fan of the coming of age genre. Having the main part given to someone who is clearly not an adolescent (even though she lives in the past) at the start is refreshing. I found the film compelling whilst watching it but, after it finished, was slightly disappointed.


But the highlight of the film is the terrific vocal impersonations of great singers by Jane Horrocks.
I thought the plot was well thought out & ended in a most satisfying way. A great DVD to watch several times, I think.
If, like me, you are one of those people who think that characters can be shown to be rough without them having to be given copious amounts of gutter language to use, then be warned there is a lot of this stuff in the film, but other than that, it is terrific.
Highly recommended.

Then, in one of those scenes that delightfully catches us by surprise, both Ray & the audience learn that LV might not talk, but she can sing. More to the point, she can sing like the singers on the records she listens to, which means we are talking Judy Garland, Shirley Bassey, Billie Holiday, & other music icons. Ray has dollar signs in his eyes that blind him to the obvious amorous affections of Mari as the big question becomes how to get the timid LV upon on the stage at the club of Mr. Boo (Jim Broadhurst).
The rise part of the story is the most enjoyable as our anticipation builds for the moment when LV is going to let loose with alll those voices she keeps bottled up inside. Of course, once that happens there is nowhere to go but down. Ray coaxes LV into the big moment through dishonest means, which is a portent of what is to come. Caine's performance is marvelous from start until the final act of this film, at which point his character throws away alll of the good grace he has developed over the course of the film. Our sympathy is totallly with LV, who is always singing in her mind's eye to her long departed father (special mention to Graham Turner for the perfectly wonderful smile on his face), although young Billy's earnestness wins our admiration as well. By the end of the film LV's career & a whole lot of other things are in ashes. The ending of "Little Voice" is rather unsatisfying, but to paraphrase the Bard, I am not sure what satisfaction it could provide us from where it begins.
Blethyn got a supporting actress nomination for her performance in this film & Caine's performance is what of his better efforts, but the reason to watch this film is Horrocks. In the end your biggest complaint with this film is going to be that Horrocks does not do a lot more singing. I understand the importance of the key line that LV finallly gets to delivery to her mother, but I cannot help but feel that there should have been an equallly important moment from the musical perspective. "Little Voice" is worth the watching, but if you find yourself only rewatching the middle section, do not be tremendously surprised.
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