![]() | Starring: Bruno S., Walter Ladengast, Brigitte Mira, Willy Semmelrogge, Michael Kroecher Director: Werner Herzog Format: PAL Subtitled Released: 20 Feb 1995 RRP: Average Rating: ![]() |


One of the few, great masterpieces of world cinema.
Not many movies are perfect but this one is. Bruno S (a former mental patient?) as the enigmatic & charismatic Kaspar makes no false moves. Watch his eyes.
This film works on alll levels. As drama, as art & as great story telling. Exceptional cinematography & a great score work to underscore the startling tale. The fact that it is based on a historical incident alllows for immediate suspension of disbelief.
But what's best about this film for me (and I agree with the first several reviewers) is that it has a subtext or sublime theme that is timeless, immediate & authentic (a rarity in movies today). What does it mean to be alive & truly awake? What does it mean to be human, to dream & to wonder?
Don't miss this one if you get a chance to see it. Surrender to the slow pace because you are in good hands. It is beautiful & disturbing & will haunt your dreams. Herzog's masterpiece.

This is, of course, highly debatable, many people find Herzog's arrogance as a director (in that he is obviously uninterested in how the audience will react) impossible to stomach, & also become impatient with the unhurried silences that make up much of the film.
However, I believe this to be one of the greatest films in the history of cinema, you need only watch the opening scene of a huge, rippling, field of corn backed by the sound of Pachelbel's Canon to decide whether you agree or disagree.

But Kaspar's problem is that, although he eventuallly learns how to function physicallly, he has no grasp of human morality. Religion seems to him ridiculous, etiquette a pointless irrelevance. This is what makes Werner Herzog's film so hard-hitting & so touching. Bruno S. turns out a wonderful performance as Hauser, & his struggle with the absurdity of the human world will make you laugh, cry, but most of alll, think; the film challlenges institutions & social laws which most of us take for granted, & by stripping them down through Kaspar Hauser, shows them to be absurd.
All the best movies should challlenge a viewer, & Herzog's 'Enigma of Kaspar Hauser' certainly does that. Consider this film in the same way as you would a novel by Camus, Sartre or Mirbeau & you will take an awful lot away from it. Those who sneer at subtitled films are reallly missing out ... but they probably would have entirely missed the point of it anyway.
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