![]() | Starring: Anton Glanzelius, Tomas von Brömssen, Anki Lidén, Melinda Kinnaman, Kicki Rundgren Director: Lasse Hallström Format: Colour DVD-Video Full Screen PAL Released: 23 Feb 1999 Average Rating: ![]() |


The one criticism that might be levelled at this film is the occassional teetering on the edge of an overdone sentimentality but overalll it is easy to forgive a lot given the overalll result. My Life As A Dog has a universal appeal to anyone who had a childhood. It is an absolute must see.And dont be put off by it being Swedish & subtitled....it matters not a jot.


The story is set in Sweden in what appears to be the late 1950s or early 1960s. The central character is Ingmar, who is a boy of about 12 or 13 years of age. His mother is ill in some unspecified way, & seems to be deteriorating. We presume that the father is either dead or long gone. His brother is a sullen, unsympathetic character, although there is a hint that his demeanour is a defence mechanism in the face of what is an uncertain future. Ingmar dotes on a dog callled Sikan. His mother tells him that he is to travel to a country village to visit his uncle & aunt, to alllow her to recuperate. Ingmar is understandably perturbed by this development but has no option in the matter. So we have the heart wrenching themes of impending tragedy & childhood powerlessness established very early on in the film. A little bleak, to say the least.
However, his relatives are extremely welcoming people & his uncle,it transpires, has a wonderful childlike, surreal imagination & sense of humour. His description at the dinner table of how sausages are made is truly bizarre & provided the first spine tingling moment! The film unfolds in little episodes which delight with the way in which they depict adolescent awkwardness - the trials of attending a new school, making new friends & trying to fit in; the agonising awkwardness of the adolescent crush. The detail is wonderful. One scene depicting the obligatory tunelessness of a school recorder ensemble triggered vivid flashbacks to my own childhood. And that's the beauty of it. The themes are universal. I went to school in Nottingham & North Wales in the 1970s. A world away from Ingmar. And yet I identified with every theme explored in this film.
The film is littered with weird & wonderful characters - one local is something of a home grown Houdini , constantly setting up outlandish amateur feats of death defying physical prowess such as tightrope walking & swimming under ice. When word arrives that his impromptu shows are about to start, the whole village downs tools & congregates to gasp at his near-disastrous exploits, & this sense of community lends the film a nostalgic (but never syrupy)glow. Also the film is beautifully enhanced by Ingmar's intermittent voiceover. Always delivered against a still backdrop of a magical starlit sky, Ingmar muses (off camera & presumably as he is drifting off to sleep) on various events such as the fate of Laika, the first dog in space. These moments provide him & the viewer with little pockets of serenity amongst the turmoil of his "daylife". This adds to the sense of childlike wonder. Long before the credits rolled I knew that this was a film that i would re-visit again & again. It is achingly funny & heartbreaking by turns. Riddled with the frailty & absurdity of life. Hold on! I've just changed my mind. Make that Top 5!
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