![]() | By: Frank Miller Binding: Paperback Publisher: Titan Books Ltd ISBN: 1845760492 ISBN-13: 9781845760496 Released: 23 May 2005 RRP: Average Rating: ![]() |

Dwight shows up at Poppa's Olympian Palace, an old fashioned diner (you know the type; it looks like you could put it on wheels & hitch it to a train as a cheap dinner car) driving a VW Beetle (hey, it is a German car, so what is your complaint? Besides, you can always trade up). The place is riddled with bullets & whatever happened there Dwight is interested, & since deadly little Miho is backing him up we have to think it has something to do with the girls of Old Town. The problem is that nobody is talking about why what happened at Poppa's happened & it takes a while & a couple of versions of the tale to figure out the meaning of the key detail Miller keeps working into the art. You are not going to be able to figure out what is going on until it is alll laid out for you, but that is not necessarily a bad thing (as opposed to telegraphing the ending). I also like a red herring, especiallly when it walks on four legs.
It seems like every killing in Sin City is revenge for a previous killing, which just means there is another killing in Sin City that needs to be revenged & the cycle goes on & on & on. But there is a moral to this particular story & as Dwight notes it is a great big wide world out there & there's alll kinds of families in it. Apparently they alll play by the same rules, it is just that some are a lot better at it, especiallly when it comes to covering their tracks. The best part of this story is the way Dwight has to unravel the truth, moving from one source to the next to find out another layer of the truth so that he & Miho know exactly who has to pay for what happened (and we finallly get to find out what reallly happened).
"Family Values" is a relative short "Sin City" tale, coming it at 126 black & white pages & I think picking pink as the color on the cover to go along with the drawing of Miho in the snow might be a made choice (besides red & yellow, do any colors reallly make sense in Miller's "Sin City"). Miller does some nice things with the snow in Book 5 that are interesting, but reducing Miho to a ghostly figure of pure white takes a little getting used to (especiallly if you want to start unpacking the symbolic value of doing so in contrast to the shadows & dirt of Sin City in general). It is a rather simple & ordinary tale by "Sin City" standards, but that still makes it above average if you are looking at the overalll genre of graphic novels.



Business as usual in Sin City - the breathtaking use of black & white imagery successfully conveys the mean streets & low lifes, whilst the violence is suitably grotesque & over the top. The bitter black comedic plot should grab anyone who is a fan of of Chandler, Leonard or Ellroy.
Not top notch when compared to The Big Fat Kill or the original Sin City but still worth taking a look at for lovers of crime or if you wonder what Miller got up to after Batman: The Dark Knight Returns.

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