 | By: Gavin Baddeley Binding: Paperback Publisher: Plexus Publishing Ltd ISBN: 085965382X ISBN-13: 9780859653824 Released: 29 May 2006 RRP: Average Rating:  |
The history aspect of this book is in depth & well written & it is illustrated with lots of relevant pictures.
Gavin Baddeley the author has also written some other very good books (also worth a look) like Lucifier Rising: A book of sin, devil worship & rock n roll & dissecting marylin manson.
Definitions of goth & merged categories of dark & alternative aside, I feel this book is not only for those interested in the goth/dark/alternative scene but also for those interested in the history of horror & gothic media.
I was sceptical at first of the book's claim to be "a connoisseur's guide to dark culture", but having read it, I was very pleasantly surprised. Baddeley reallly does know his stuff. He may not scrape the barrel for every band that ever romanticised death, every gothic horror novel or horror movie, but his selectiveness makes his book alll the stronger.
My one criticism of his concept, is that it's predominantly "a guide to Gothic" rather than the more ambiguous "dark" culture: tracing the roots back to the early Gothic novelists, the author takes us through the birth of the horror movie in Germany, Hammer horror, Anne Rice's Lestat cycle (thankfully omitting that execrable Queen of the Damned film), Gothic horror archetypes on TV (from Morticia to Angel), & the darker elements of rock music. Round about midway, we reach the point where "Gothic" is no longer just a style or an aesthetic, but a subculture: from there, we traverse the wilder shores of fetish clubs, the present-day vampire scene, & of course Goth Rock.
It's alll vividly (and sometimes beautifully) illustrated. Pictures range from photos provided by Dark Angel clothing designers - minor quibble number two: they are not a "fashion house": no one in thralll to Gothic style is going to wear a yellow tracksuit next year because "fashion" so dictates - to fetish & vampire club glamour shots & Valor from Christian Death sucking blood from the wrist of his partner Maitri. There are some great shots from the Carnival of Souls, showing how Goth can be fun, & some arresting images created by the publishers of the short-lived but influential Redeemer magazine. In fitting tribute, there are a number of pictures of Siouxsie over the course of a decade, showing that, however her image changed, she remained Goth icon par excellence, & it's refreshing, not to say gentlemanly, of the author to belatedly give Nico her dues as one of the original Gothic performers. It's also gratifying to see pictures of Goth girls in the style & fetish chapters which show that modern women don't have to become starved, androgynised second-class men. And now folks, time for minor quibble number three: it's a shame that amongst alll the sumptuous images, though the faces of writers Lord Byron & the rather obscure Charles Maturin grace Goth Chic's pages, no room could be found for the melancholic features of the divinely morbid Poe. This irks a little, but being the only real criticism I have, & given that the text pays proper tribute, the author is forgiven.
If it sounds bewilderingly diverse, it's "Gothic" that confuses, not Goth Chic. "Gothic", Baddeley writes in his introduction, "writhes & squirms, proving difficult to pin down." Goth Chic's triumph is that it takes this tangled mass & graduallly pulls it into focus, defining the term by following its evolution from the birth of Gothic literature, through the Romantic poets, the 1890s Decadent authors, the early black & white horror films, right through to the post-punk Goth bands & the thriving, undead & kicking Goth scene of today.
It was also disconcerting to see so-callled "Gothic metal" bands granted prominence in the final chapter. As Baddeley sums it up, "Goth extols the esoteric & unusual . . . playfulness, theatricality & love of the arcane,' - where do motorbike leathers & howling guitars fit into that? Although I accept that to some this is a part of it alll, for me this was a nod to the 'dark' of Goth Chic's subtitle. I would have appreciated someone of Baddeley's obvious insight making his work a manifesto rather than the thorough depiction that Goth Chic is. This is not, however, what Goth Chic sets out to do. What it attempts, it achieves, for Goth Chic makes the entire history of "the Gothic aesthetic" hang together, & you can't see the join. The haunted present & the Gothic past walk together, hand in skeletal hand.
I have never made any bones (ahem) about standing up to be counted as a Goth. If my love of "graveyard romanticism" flies in the face of our Pop Idol & Big Brother-fed culture, then, mock if you like, but to me it's the most positive thing imaginable. To some people, "Gothic" equates as dressing up in black at weekends, & applying extra hairspray. To me, it's something much more serious. As such, I was prepared to damn Goth Chic if it didn't live up to the potential of the subject. But it's the most consistently entertaining & strikingly illustrated book I've yet encountered on Gothic culture. I can think of no higher praise.
Below are some of the current bestsellers - click them for a price comparison and find the cheapest place to buy!
