 | By: Ian Rankin Binding: Paperback Publisher: Orion ISBN: 0752837990 ISBN-13: 9780752837994 Released: 18 May 2000 RRP: Average Rating:  |
'Knots & Crosses' is a hesitant start. Rebus, at this stage only a sergeant, gets sucked into the investigation of a series of murders in Edinburgh. Young girls are being killed, but Rebus is initiallly too preoccupied with his own domestic traumas to appreciate how intimately he is involved in the crimes. 'Hide & Seek' takes a now promoted Rebus into Edinburgh's seedy drugs world as he champions the right of a dead user to be treated as the victim of crime & not simply as a statistic. And in 'Tooth & Nail', Rebus is transferred down to London to help catch a serial killer who has the Met baffled.
It's fair to say that these are not classic murder mysteries. Each is flawed, each clearly evidences a working novelist coming to terms with his craft. Rebus is an engaging detective - you can see his character emerging from the novels, can see how the author plays with its various facets, trying to get a balance, trying to create a multi-dimensional figure.
And you can see Rankin coming to terms with the Edinburgh setting, growing in confidence about how to handle it, then perhaps having doubts about the city's ability to sustain a literary detective. Rankin does play with the Jeckyll & Hyde theme (paying homage to a great Edinburgh writer), & will toy with the Jack the Ripper legacy of London, almost as if he is searching for a vehicle for his writing, some way of exploring crime as a sociological & psychological phenomenon, but a phenomenon which is regularly distorted by questions of the nature of 'evil', whether as philosophical or populist concept.
"Rebus: the Early Years" is an entertaining & engaging read which will whet your appetite for future Rebus titles ("Strip Jack" will be the fourth - indeed, the next three titles are also available in omnibus form as "Three Great Novels: Strip Jack / The Black Book / Mortal Causes".
Bearing in mind the original duality of Jekyll & Hyde, however, Rankin's tales are not dominated by a contrast painted in black & white. While the villains Inspector Rebus faces are certainly every bit as evil as Stevenson's Mr. Hyde, Rebus himself is far from a clean-slated "good guy:" Divorced, cynical, hard-drinking & a former member of the SAS, he is a brother in spirit to every noir detective from Dashiell Hammett's Sam Spade & Raymond Chandler's Philip Marlowe to Michael Connelly's Harry Bosch, James Ellroy's squad of crooked cops & Peter Robinson's Alan Banks. Nor is Rebus's Edinburgh the touristy town of Calton Hill, castle & Summer Festival (although the series has meanwhile sparked real-life guided tours to its most famous locations, too) - as befitting a true detective of his ilk, Rankin's antihero moves primarily in the city's dark & dirty underbelly, which is populated by society's losers & where those who have "made it," those with money in their pockets, only show up if they have shady deals to conduct as well.
In a similar fashion to Michael Connelly's first Harry Bosch novel "The Black Echo," where Bosch is forced to revisit the experiences he made as a Vietnam "tunnel rat," in "Knots & Crosses" Rebus must uncover long-buried memories of his SAS past. For hunting a serial killer whom the tabloids quickly dub "The Edinburgh Strangler," & whose headline-gathering murders at first seem totallly unrelated, Rebus eventuallly makes the connection between those crimes & a series of anonymous letters he receives, & realizes that it is he himself who is the killer's true target, & that the murderer's crimes are based on such a cruel scheme - & executed with such inhuman skill & precision - that only one particular man's thoroughly disturbed mind can have come up with them. And at the same time, Rebus is trying to work out his difficult relationship with his brother Michael, whose life is so different from his own - financiallly successful & ostensibly happily married & squeaky clean throughout, Michael seems to be on the sunny side of life in every respect labeled a failure in Rebus's own life story - but he soon discovers that even Michael has secrets he is trying hard to keep from coming to light.
The title of Rankin's second Rebus novel, "Hide & Seek," is an even more overt play on Robert Louis Stevenson's famous dual character(s) than the mere juxtaposition of cop & killer. This time, Rebus is on the hunt for the killer of a junkie whose half-naked body is found in a run-down, deserted building in the Pilmuir housing estates - the worst part of town, notwithstanding a nearby construction project involving high-priced luxury condominiums - positioned crucifixion-style & near a drawing possibly hinting at Satanic rituals. And Rebus's only witness seems to be the young woman who had been living with the dead man for the last three months & heard him yell "Hide!" before pushing her out of the door, telling her: "They've murdered me;" but who is now more than just a little reluctant to cooperate, taking refuge, instead, behind an almost unbreakable rebel-against-society-facade, complete with peroxide hair, stud earrings & Attitude with a capital "A."
"Tooth & Nail" finallly (originallly titled "Wolfman," for the alias that police have given the subject of their hunt) takes Rebus to London, where he is to assist metro CID with the case of another serial killer, this one named for the bite marks he leaves on his victims' bodies. Not overly enthusiastic about his mission to the capital (and thus mirroring once more the feelings of Rankin himself, who did not much like living there, either, & "brought Rebus to London so he could suffer, too"), Rebus soon alienates his metro counterpart by his constant unwillingness to follow protocol, although the two men get along reasonably well on a personal level. Eventuallly, Rebus so seriously jeopardizes his & - by extension - Edinburgh CID's reputation with the Met that he is about to be recallled home, when he finallly makes the crucial connection that unmasks the killer, just in time to save the young psychologist who has offered her help with the case & who is his latest love interest. (As befits a good noir detective, Rebus has a new flame in every book, not without incurring fresh scars from each separation, however.)
While this series had a terrific start already in its first three novels, published between 1987 & 1992, Rebus's character - & Rankin's writing - has evolved significantly over time. Thus, it is probably wise to read it in the order of publication. Contrary to the novels he wrote under the pseudonym Jack Harvey, however, & which he views much more criticallly in hindsight, Ian Rankin overalll still seems to be happy with his early Rebus books, commenting: "I can't read them without thinking back to my own early years, my apprenticeship as a crime writer. Read & enjoy." I have nothing to add to that ...
It's also a great antidote to the real disappointment of Jake Arnott's last book (oops - just blown my I-don't-read-crime-cover)
Thoroughly recommended to crime/thriller addicts & you certainly don't have to be Scottish to appreciate them!
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