![]() | By: Ben Elton Binding: Paperback Publisher: Black Swan ISBN: 0552146986 ISBN-13: 9780552146982 Released: 01 Jun 2000 RRP: Average Rating: ![]() |


'Inconceivable' contains a perfect blend of emotional drama & laugh out loud comedy. It is filled with the highs & lows of love & life, it captures the yearning & desire & determination of modern people, as well as delving deep into two fraught people's personalities; hence the reality & superb characterisation exhibited by Elton in this book. Its a nice, light easy, & entertaining read, & I would recommend it most highly.

It is set up so that they are writing provate letters to no-one to let out their sad emotions & frustrations at the inability to conceive. The focus of the story is love. Whether love between the two is strong enough to survive if they cannot conceive or reliant on a child. Each character also has their own private battles. Sam is a BBC worker dreaming of writing a hit programme or film, but he has no inspiration. Lucy is an agent's assistant, who's newest client happens to be the hottest new, gorgeous British actor on the scene. As the two face their separate battles, can they focus on Lucy's main goal, a child. Sam isn't as determined seemingly to have a child as he feels that it would just be a bonus, he feels he loves Lucy enough to be happy with her forever, child or not.
The story has great one liners that will make even the person with the least sense of humour in the world to crack a smile. It is funny throughout ut also has the touch of seriousness also. Tears could flow at points. I enjoyed this, finished it just this afternoon. If you like his other books you'll love this too. If you hve never read anything of his before this could be a good start as it shows how he can hold a story well & keep things moving. It also dislays the difficult technique of balancing two characters roles equallly, which he succeeds seeminlgly with ease.
Enjoy.

There's no mystery, no murders in this one. Its an unashamedly sentimental story of a relationship between a husband & wife who, for reasons they nor anybody else are able to understand, seem unable to have a baby.
Sam & Lucy Bell are both media types. Sam is a commissioning editor for the BBC, while Lucy works as an assistant to a theatrical agent. The interesting premise behind the book is that one of the many people they have consulted about their problem has told them to try to get in touch with their feelings about the situation more by writing in a book about their feelings every day, but not to show it to the other. So throughout the novel you have the two viewpoints of each event, one in normal type, the other in italic. It's a good narrative device, & Elton exploits it richly for its comic value, & also for genuine pathos.
It's a book about love, & especiallly about betrayal, which takes surprising forms in the narrative. I did worry, as the end approached, that Elton might cop out. I'm glad to say that he didn't, & it's a highly satisfying read. But be warned- although very funny ( in places I laughed out loud ) its also very serious, & moving. A box of tissues should be kept on standby when you read it.

The processes of human sexuality verge on the absurd at the best of times whatever else can be said about them. When we factor in the exceptional manoeuvres increasingly demanded by a desperate mid-30's childless wife from her less committed husband, culminating in the lurid rituals of IVF, I think it's fair to say that it takes a certain type of writer to deal with such a theme successfully. Ben Elton handles it brilliantly. We are not spared the most graphic or intimate physical & anatomical details, but the comic style Elton adopts reallly masks a true delicacy of perception. Indeed I'm inclined to say that nobody with less of a sense of humour than the two protagonists show in this book would have been able to see the whole gruesome process through. The humour is very English humour, & I think I know what it's modelled on to a great extent. During the years of the Thatcher Terror, there used to be a hilarious column in the magazine Private Eye purporting to consist of letters from her husband to a friend named Bill. These were written in a very public-school idiom, probably derived basicallly from P G Wodehouse but influenced by minor literature such as the Molesworth books, familiar also from Oxford common-rooms & similar places of association, & updated more recently into the dialogue of the chattering classes in Islington & similar parts of London, the form in which we find it here. This idiom can take the heaviness out of the most serious situations without trivialising them, & whether or not I'm right about its precise origin in this book that is the way its author tries to use it, & tries very successfully in my own opinion.
The author never speaks to us directly throughout the whole book, using instead the device of diaries written by the husband & wife, much as is done in Julian Barnes's Talking it Over. The device works very well here. Ben Elton is an observer & critic with a particularly acute eye for human behaviour & attitudes, & it helps if he steps back a little from the narrative for that very reason. The incidents in the story are often Rabelaisian & hilarious, but the dilemmas & worse that the characters face are touched in with no little sympathy as well as perceptiveness. The style of writing has even gained a little (dare I say this?) refinement, to its & our general benefit I'd say. The ending is genuinely touching, so on balance 5 stars.
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