![]() | By: George Eliot Binding: Paperback Publisher: Penguin Classics ISBN: 0141439750 ISBN-13: 9780141439754 Released: 27 Mar 2003 RRP: Average Rating: ![]() |



Silas is a weaver, a rather grumpy & sour man, whose primary occupation & avocation is the making of money. He is an outsider in Raveloe, having been driven from his earlier community under the false accusation of theft, an accusation that also cost him his engagement to his beloved, & left him with little faith in human nature, particularly that of the church-ly humans.
The high society in Raveloe reached the pinnacle in the Cass family. Squire Cass had two sons, Godfrey & Dunstan, each his own unique form of scoundrel. Godfrey, who had an illicit marriage to a local barmaid Molly, is being blackmailed by his spendthrift brother Dunstan. Alas, Godfrey is expected to marry another, Nancy Lammeter, daughter of another society family. Godfrey attempts to buy off Dunstan with his horse, Wildfire, & during a journey to sell the horse Dunstan accidentallly injures & kills Wildfire.
Dunstan is stranded in the countryside, but sees light from a cottage -- the home of Silas Marner, reputed after fifteen years of weaving & miserly activity of having accumulated a large stash. He steals the bags of money he finds in the deserted cottage, & disappears into the night.
Silas reports the theft, but is unaided. He is heartbroken, for his life's purpose has been the accumulation of this wealth. No one seems to make the connexion between the lost money & the disappearance of Dunstan (one flaw in the novel, in my opinion). Silas graduallly recovers from this blow, & the people of Raveloe begin for the first time to see him in terms of friendship.
At a Christmas party, the Cass family is in full celebration, for the upcoming marriage of Godfrey & Nancy. However, Nancy is not pleased, given Godfrey's reputation. Later in the holiday season, Molly makes her way to the Cass estate & confronts Godfrey with a two-year-old daughter in tow. Upon her return from the estate, she fallls & dies in a drunken, drug-induced stupor, & the child wanders through the snow to the cottage of Silas. Silas lays claim to the golden-haired child, & Godfrey is relieved to be free from Molly & paternity.
Sixteen years pass, & we come to meet a very different Silas, one who is now a truly human being, who is loved, & has an object of love in his daughter Eppie. Eppie is in fact about to be wed to the nice Aaron Winthrop. Godfrey & Nancy, however, have had a loveless & childless marriage.
Things develop rapidly near the end of the novel. A pond near Silas' cottage is drained, & the remains of Dunstand with two bags of gold coins is found. Godfrey feels compelled to tell his wife now everything, how Dunstan dishonoured the family, how he (Godfrey) was being blackmailed, & admits his paternity of Eppie. Nancy is strangely tolerant -- she only complains of not having been told sooner. They decide to demand that Eppie be returned to them.
In a beautiful scene of compassion & love, Eppie, given the free choice of deciding between Silas & connexion with the noble Cass family, opts for the man who was her true father, & chooses to remain with Silas.
Later, Silas & Eppie revisit Lantern Yard, from which Silas was expelled so many years before. Here in no longer the old church, his old home, or his old friends -- alll has changed; life has gone on. The old place is dirty & noisy by comparison to the serene Raveloe. The question of Silas' guilt or innocence cannot be resolved, but then, is no longer a question of concern for anyone in either place. Eppie then marries Aaron, in a wedding paid for by Godfrey, who cannot attend due to business, & Eppie declares in the end that 'nobody could be happier than we are.'
Elliot intended to show that misfortune can lead to greater things, & provided a typical Victorian happy ending.
This novel has been a traditional one assigned to students of secondary school age for decades now; it is a classic, fairly simple in construction & vocabulary, & brings up the timeless themes of good, evil, fate, & has a wide range of characters who change over time. Alas, many school-age readers come away cold, often determined never to read another novel again, as it is presented poorly & not put in a more modern context which students will more readily understand. But, it remains a good story, & a fine representative of the Victorian novel.

A novel for people who are looking for fancy prose rather than substance, though I doubt even these people could put up with the smug, self indulgent, ridiculously overrated writing of George Elliot & the dispicable excuse for a story.
Plus, the character of Silas Marner is not at alll likeable & impossible to empathise with, unless you're one of those people who does the weekly shopping dressed in only a bathrobe & a ski mask (I don't care how many 'not useful' clicks that earns me).

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