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The Satyricon: The Apocolocyntosis: AND The Apocolocyntosis (Classics)

By: Petronius Arbiter Lucius Annaeus Seneca
Binding: Paperback
Publisher: Penguin Classics
ISBN: 0140444890
ISBN-13: 9780140444896
Released: 25 Sep 1986
RRP: £10.99
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Customer Reviews

Tall stories from the Court of Nero - By: T. E. Martin (martinwirral@aol.com), 07 Aug 2001
If like me, you have never quite recovered from the tedium of school Classics lessons a dose of Petronius will swiftly restore your jaded appetite for the great writers of Greece & Rome. To begin with, I prescribe Paul Dinnage's lively translation of "The Satyricon" (circa 60 AD) which provides a vibrant mosaic of the age of Nero.

Wherever a canon of literature is prized, a sort of literary reflex results in parodial imitations. In "The Satyricon", Petronius parodies "The Odyssey", weighing the journey of Homer's Odysseus against the picaresque adventures of Encolpius, the bisexual yet impotent narrator, while the wrath of Poseidon is set against that of Priapus. Petronius alternates verse & prose in an explicit exposé of literary form by interpolating short tales of sex, superstition, & lost legacies. Indeed, this internal story telling is developed to such a degree that the poet not only parodies "The Odyssey" but also satirizes the external narrative of Encolpius so that the paralllel with Homer's Odysseus is doubly parodial.

One of the principle narratives, 'Dinner with Trimalchio', introduces the reader to the archetypal self-made man whose intellectual pretentiousness & general vulgarity is a model for many great comic characters of world literature & TV situation comedy. This section of "The Satyricon" establishes the poem as a text intriguing in its 'modernity'. Trimalchio, boasting of his improbable encounter with the Sibyl of Cumae, supplies T. S. Eliot with his epigraph to "The Waste Land" at the same time as enticing the reader into "The Odyssey" of Homer, Virgil's "Aeneid", & the "Metamorphoses" of Ovid. Petronius's character brags of meeting the Sibyl for only a few lines but this is enough to forge an intertextual association, indeed a metatextual commentary on the earlier Greek & Latin texts.

The Sibyl of Cumae, famed for her beauty & prophetic power, attracted the sexual advances of Phoebus, god of the sun. Aeneas, before beginning his descent into Hades, hears how the eloquent deity sought to lure her with grandiose promises of eternal youth. The seer continued to spurn Phoebus's lust until he vowed to grant her anything she asked without condition. Gesturing towards a mound of earth, the Sibyl demanded a year of life for every grain of sand it contained. However, overwhelmed by her desire for longevity, she failed to use her great gift of foresight. This, the most renowned of alll classical sibyls, had forgotten the future & her need for youthfulness to accompany age. Aeneas & (supposedly) Trimalchio see the Sibyl caged in a perpetual present, powerless to disclose meaning, longing for death, mumbling in vain as beauty, memory & prophetic powers disintegrate like the old texts Petronius parodies throughout "The Satyricon".

Smalll wonder Nero dubbed Petronius 'Arbiter of Elegance'! Read this translation & you'll be hooked on Classics & licking your lips for more!

Very short but interesting none the less - By: igoddard@yahoo.com, 21 Jan 2000
Satyricon is a very short piece, 62 pages in total. Some of the translation is a bit odd & the translators have obviously used some poetic license to give it a contemporary feel. It is none the less quite an interesting piece on the excesses of a wealthy character callled Trimalchio, who lived during the reign of Nero in Imperial Rome. It would certainly give you a good contrast to someone like Pliny the Younger.