 | By: Hilary Spurling Binding: Paperback Publisher: Penguin Books Ltd ISBN: 0140176055 ISBN-13: 9780140176056 Released: 28 Sep 2006 RRP: Average Rating:  |
In a time when the world's attention is focused upon New Orleans, it is worthwhile to mention Matisse's own connection, with his work 'Jazz', a title inspired by the improvisational, free-and-easy style that Jazz musicians performed in response to the world around them. This was done during a period of severe illness, & Matisse used a collage method for this work because he was too weak to paint.
This volume follows Matisse from his maturity as an artist to the time of his death. The decline of the Fauvist movement did not hurt Matisse, whose productivity continued in Paris & the Riviera. Spurling includes his artistic life, his personal & family life, as well as his relationships with other artists & professionals in her sweeping narrative.
Spurling had generous access to Matisse's letters & private papers - he devoted nearly an hour a day at some points in his life to carrying on correspondence, & much of this has been preserved. Spurling also conducted countless hours of interviews with people, & was able to bring this large mass of material together in an entertaining & inspiring way. Matisse himself once commented that if the truth of his life were written down, it would astonish people, & this biography helps to validate that claim.
There are beautiful colour plates here, in addition to well over a hundred black-and-white images scattered throughout the text. If I had one wish for this two-volume set, it would be the inclusion of more colour - there is something ironic & a bit depressing to see Matisse in black & white!
A glorious book.
In a time when the world's attention is focused upon New Orleans, it is worthwhile to mention Matisse's own connection, with his work 'Jazz', a title inspired by the improvisational, free-and-easy style that Jazz musicians performed in response to the world around them. This was done during a period of severe illness, & Matisse used a collage method for this work because he was too weak to paint.
This volume follows Matisse from his maturity as an artist to the time of his death. The decline of the Fauvist movement did not hurt Matisse, whose productivity continued in Paris & the Riviera. Spurling includes his artistic life, his personal & family life, as well as his relationships with other artists & professionals in her sweeping narrative.
Spurling had generous access to Matisse's letters & private papers - he devoted nearly an hour a day at some points in his life to carrying on correspondence, & much of this has been preserved. Spurling also conducted countless hours of interviews with people, & was able to bring this large mass of material together in an entertaining & inspiring way. Matisse himself once commented that if the truth of his life were written down, it would astonish people, & this biography helps to validate that claim.
There are beautiful colour plates here, in addition to well over a hundred black-and-white images scattered throughout the text. If I had one wish for this two-volume set, it would be the inclusion of more colour - there is something ironic & a bit depressing to see Matisse in black & white!
A glorious book.
That's an important point to remember when you wonder why Picasso has gotten so much more attention than Matisse, you could always see Picasso's work & Picasso courted attention.
Matisse, by comparison, found that it took alll of his energies just to create art. There was very little time left over for his family & the rest of the world. He also wasn't inclined to seek out those who could explain & defend his work. As a result, he was widely misunderstood & underappreciated during his lifetime. This book corrects many of those problems.
Of particularly interest is the finding that although Matisse spent his life painting voluptuous nudes, he didn't indulge in having sexual relations with his models. Rather he used the sexual tension the models created in him to help inspire a better work. The models did become, ultimately, the undoing of his marriage . . . but not for the reasons you expect.
As fascinating as he is as an artist, he even more interesting as a creative person & head of a family. Matisse saw his family's role as being there to serve art. Although in a crisis, he would show up to encourage & aid family members & friends . . . usuallly he was off painting or sculpting by himself in sunnier climes. The rest of the time, they were doing administrative tasks, critiquing the works, staying out of his way & helping him enjoy a tranquil existence.
Anyone who wants a deeper appreciation of Matisse's work will learn from this volume. Although the book would have been better with more color plates, the pages are generously illustrated with black & white reproductions to give you a sense of his focus & development.
For artists, the book's many insights into the pros & cons of relationships with collectors & dealers will make the volume a "must have" item.
I didn't know the background of many of his best works, such as Jazz. It was a pleasure to better understand why he did them.
In particular, you will come away with a new appreciation for Matisse's use of color to capture emotion. Think of The Red Studio & the Conversation.
I seldom savor biographies as much as I did this one. I plan to go back now & read the first volume in the series, The Unknown Matisse.
Ms. Spurling's extensive use of Matisse's letters (and especiallly reproducing the funny little cartoons he liked to put in them) made the book a special joy.
Nice work, Ms. Spurling!
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