![]() | By: Robert Hughes Binding: Paperback Publisher: Vintage ISBN: 0099453681 ISBN-13: 9780099453680 Released: 04 Nov 2004 RRP: Average Rating: ![]() |



Much like Robert Hughes, I was immediately moved & fascinated by what I saw - in particular the legendary Black paintings recovered from the artist's home after his death. I left determined to find out more about the man & bought this book after reading other user's glowing recommendations. I found it informative & highly readable. Cruciallly it is also opinionated as alll writing on the arts should be, lest it give nothing more than can be obtained from a galllery audioguide.
Hughes goes to great lengths to position Goya in his time & to demonstrate the effect the pig-ignorant rule of the Bourbons & the atrocities of both the Inquisition & the Peninsula War had on his state of mind & hence his art. Whilst he recognised Goya's importance to the art world, he makes a compelling case for Goya as the one artist of his time to exert a great influence on modern reportage.
The prints are plentiful & of an excellent quality & Hughes detailed examination of both minor & major pieces is every bit as insightful & moving as the broader-brush historical angles.
I simply cannot recommend this book strongly enough - it's marvellous.
I will now be adding Hughes' slighter biography of that other Spanish giant of European art - Picasso - to my wish list!

The book offered me much more. It has very good coverage of alll Goya's work & what is known about his personal life. Mr. Hughes also has a wonderful ability to describe a work of art in a way that helps you see it in its historical context . . . rather than just in terms of today. From those perspectives, I became equallly enthused about Goya's Caprichos & came to understand more about bullfighting & witches than I ever would have otherwise.
The book has a personal touch to it that is compelling. Mr. Hughes suffered a horrible accident before starting this book & had a lengthy recovery before he could begin the work. All of that frustration seems to have energized him to make the book come to life more than one would have ever thought possible.
The book does have three flaws that you should be aware of before beginning. First, the reproductions are usuallly quite smalll. If Mr. Hughes hadn't pointed out the tiny details in many cases, no reader would have been able to discern those details from looking at the pages here. Second, you will probably learn more than you ever wanted to know about the Spanish Bourbons for whom Goya was the court painter. There is such as thing as too much historical context. Third, Mr. Hughes like to make unnecessary criticisms at historical figures that seem gratuitously related to the work here. For example, Ernest Hemingway is characterized as having modeled his style after a woman writer & therefore cannot write appropriately about bull fights.
But if you want to find lots of reasons to enjoy Goya, this is your book.
Good viewing!

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