Customer Reviews
Any ideas why all live recordings cannot sound this good?? - By: P. Bell, 26 Oct 2008 
This is one of my alll time favourite live recordings. It has everything I want, atmosphere, great playing, a sense of the occasion, great production & a super setlist.
This album has been remastered to great effect. It is possible to reallly hear why Neil Murray was reallly in the driving seat with this incarnation of Whitesnake. He reallly keeps the rhythm locked down & clearly hammers out the direction every song is going. He leaves loads of space for the two guitar players to get their teeth into without losing the ability to outline the melody. IMHO Neil Murray is one of the most underrated British bass players ever.
This live offering completely annihilates the Live in the Shadow of the Blues album. Whilst the latter has as good a setlist it misses out badly in the sound quality & production departments.
This is the live 'Snake album to get!
Whitesnakes' Greatest Record - By: M. G. Chisholm, 24 Jun 2008 I don't think that there can be any doubt that this is the best collection that Whitesnake has put out & captures the feel of early Whitesnake & the rock & bluesy feel perfectly. The reallly great thing about this record is that whilst it does have a very smooth blues feel, it can appeal to those of us who tend towards the heavy rock end of the scale. DC's voice is simply magnificent & the band as a whole meld together like they were made for each other, unlike the reality of being DC's paid up workmen. My particular favorite part is the Love Hunter solo by Micky Moody, which is still one of my favourite guitar pieces ever. Slide guitar done supremely well. Of course DC had ambitions to do much more with Whitesnake & a collection of middle aged geezers who look like Auf Weidersen extras wasn't going to cut the look. It's a shame because this CD captures a band with a magic that never reallly returned regardless of their commercial success. As a live album it is one of the best ever produced along with other & similarly unrefined sounding ones like If You Want Blood or Queen Live. There is a great live feel that came with a minimum of fussing & polishing & is alll the better for it.
Awesome Blues/Rock LIve - By: Michael R. Dixon, 30 Jul 2007 
I love this CD. I had it when it was only available as an album & now I have the CD. It is so smooth. It is one of those musical endevours that one can take by one's self or with friends. I love turning the lights down, turning this CD on, pouring a glass of bourbon & just kicking back. David's voice is stellar. The instruments just work with his voice perfectly. The instruments do not step on the voice & the voice does not overwhelm the instruments. Everything is in harmony. This is one of those hidden gems that very few people know about. Buy it if you love blues rock. Don't buy it if you love commercial late 80's Whitesnake Hair Rock. I like that also but the blues rock sounds of this LP/CD is special & longlasting.
Best live album ever? - By: Mr. G. Thomas, 14 Mar 2007 I love live albums - for me, Elvis Presley, Rush, AC/DC, Aretha Franklin, Deep Purple, Free & countless others produced their best stuff live, & the resulting live albums put some of their studio efforts in the shade.
Despite owning hundreds of live albums & bootlegs, I will always come back to this as possibly my favourite. It may have been the first I ever heard, but then why aren't I sick of it yet?
The album has a confident swagger about it that is infectious. Each musician seems at the top of his game, in particular DC, singing like a horny angel & guitarists Moody & Marsden, coaxing musical nectar from their overlapping guitar lines. Then there's the sound - it just sounds so full, balanced, almost orchestral. Makes even Purple live albums sound thin by comparison.
The music here is primarily bluesy hard rock. Tracks like Trouble, Ain't Gonna Cry No More & Ain't No Love in the Heart of the City wouldn't scare a BB King or Free fan. There's none of the metalllic nonsense of later years, & you only have to compare this work of art to last year's live offering to realise how easy it is to take a good thing for granted.
This remaster adds the 1980 version of Ain't no Love..., which isn't quite up to the 1978 version (the solo is far less orgasmic for instance), but it's great to have both versions of Come On again, as well as lots of the original pictures that made up the cover artwork. What a shame this wasn't the blueprint for Whitesnake's ultimate success. It's a masterpiece.
