![]() | By: Nitin Sawhney Label: V2 Released: 18 Jun 2001 RRP: Average Rating: ![]() |

The 15 tracks of 'Prophesy' display a highly interesting & diverse body of work, from a man with a real passion to produce something amazing.
From the uplifting opening 'sunset' Sawhney creates a wonderful soundscape through chilled out beats, guitar, Tabla drums & moving orchestral touches, it's an atmosphere followed equallly by 'Nothing' string melodies conjure up amazing sci-fi vista's & rousing vocals create an ethereal world.
Acquired dreams is an early highlight & takes the tone to a deeper emotional level, moving oriental vocals & instrumentation help create a truly beautiful setting that paves the way for a swirling DnB laden orchestral outro.
'Nothing more' floats in next, & is just a simple acoustic take on track two, In a way it seems a little pointless as a song, but I'm sure Nitin has his reason's...
You won't be considering this track for long though, 'Moonrise' bounces in quickly & is
undoubtedly a masterpiece, This Spanish salsa creates a breathtaking mood accompanied by moving strings & heartfelt vocal work, If you don't understand the vocals (they are Spanish) it doesn't matter- this track is equallly amazing whether you get them or not, & in a way makes it alll the more haunting & mysterious.
The American street guru walks in next, a break from the moving melodies he provides a thinking point in his spoken word approach to 'technology in his modern world'
He actuallly provides some amazing insights despite his appearance as just being a 'bum off the street'.
The moving track 'the preacher' get's the melodies floating again, simple acoustic strumming & haunting vocal work creates quite an atmosphere.
Next is probably the best track on the album 'Breathing light' moving orchestral strings & deep piano grooves roll along with an energetic DnB beat, the ethereal flute patterns just add to the brilliance of this instrumental masterpiece, One of Nitin's finest productions.
Developed' is a track again on the spoken word tip , with an aboriginal perspective on the world & how they as a culture are treated ' music is a universal language, it doesn't hold any prejudice' as is said.
This is followed by the wonderful 'footsteps' simply a children's choir singing- simple, if anything, but creates an amazing worldy atmosphere.
'Walk away' brings the album back into deep & emotional territory, haunting piano & lyrical work touching on the previous track footsteps, light orchestral & middle eastern touches create a truly beautiful song.
The album now takes quite a dark leap with 'cold & intimate' electronic synths & moody strings accompany a rousing vocal performance.
Breaking the dark mood is the street guru again, he continues his interesting view on technology...
this lighter atmosphere is shattered again when Nitin takes a heavy back seat ride into some confronting hip-hop, distorted guitars, heavy beats & gritty lyrical work sung in a style reminiscent of the prodigy's 'diesel power' it creates the most disturbing track on the album.
The extreme nature is then washed away with another of the best tracks on the album, actuallly the album's title track 'Prophesy' a choir builds, & accompanied with giant percussive sounds & middle Eastern instrumentation get's faster & faster until it's a sweeping high octane worldy masterpiece.
and then it ends.
Nitin Sawhney has achieved a great feat here, pulling together culture, instrumentation & mood's from almost every musical genre, it's a breathtaking journey across the world that only he could pull off in such spectacular fashion.
as the dictionary states- Prophesy: 'to foretell or predict'
If you want to hear the emotion & mood of culture in the future, this album is the closest you will get to the truth.



No, what still grates & prevents me from loving every moment of the record is the new stuff. Whereas the theme of Beyond Skin (nuclear proliferation & the threat of an atomic apocalypse) was well presented by quotes interacting excellently with the mood-piece songs, the theme of this album (the evils of technology) holds together less well (how on earth did he record the album, then?) & we are stuck listening to Street Guru, parts 1 & -God help us!- 2, in which an anonymous New York cab driver witters on about the joys of multiculturalism & the hope that we don't rely on technology too much in a stream of vague platitudes. A further track, 'Developed', has a similar format with an Australian Aborigine but is hardly as objectionable because he doesn't labour his point as much.
These tracks get in the way & break up some of Nitin's finest playing & mixing to date. I would just urge him to stick to genuinely affecting modern music with a political edge & to stop lecturing me. Nonetheless, a great record.

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