![]() | By: Sneaker Pimps Label: Clean Up Released: 25 Oct 1999 RRP: Average Rating: ![]() |

As I suppose I could have guessed from the fact that Chris is singing again on this one, it turns out to be a bit of a turnaround as well as a development. I was mildly surprised to find Sneaker Pimps in the dance section at HMV even on the basis of Becoming X, but after this album it can only be some sort of hideous mistake.
It's good that Chris Corner's vocals & writing are so dark & individual, because without that twist, Splinter could have been a very bland album indeed. The genius behind alll their previous work is still in evidence, but it wouldn't have held together a funkless male-vocal album by itself. As it is, though, their inventiveness & variety works impeccably well with this new guitar-driven style, even if their newfound maturity would have worked better with the old style.
It's alll very, very serious & almost invariably sinister. Tracks like Lightning Field & Flowers And Silence have an absolutely inimitable spooky ambience to them, & while the relentlessly dark theme can take some immsersing-yourself in, it's addictive once it's taken a hold.
It's extremely consistent & the atmosphere it retains is one you can thoroughly lose yourself in. Despite the fact that stuff in this style has to be very competent & professional to succeed at alll, Sneaker's first venture into it triumphs faultlessly.
All that said, I'd still like to hear the next album regress to the deafening drums & weird synth of Becoming.

Such a change from female to male vocals may seem somewhat radical, but the dark lyrical content remains: 'now your newspeak's aging thin/ a pale & hanging faith/ a devil sick on sin' he laments on 'Curl'. Indeed the greater change is in the music with the trip-hop feel giving way to harsher rhythms & brooding guitar work, of which the lead single 'Low Five' is a fine example. The album lacks consistency, however, making it unsurprising that the second single, 'Ten to Twenty' missed the top 40. Tracks such as 'Wife by Two Thousand' & the title track itself promise but fail to deliver.
Overalll a bit of a disappointment, but if anyone is searching for an update of those bass heavy gothic standards they should go out of their way to hear the stand out track 'Superbug'. It may be that Sneaker Pimps are merely regrouping, so to speak, but the problem is that they may find that their level of success mirrors the musical mood: down.

It is true to say that the more memorable songs do appear at the start of the album, but it is unfair to say that it tails off. 'Splinter' maintains an eerie yet beautiful atmosphere throughout & just because a song like 'Cute Sushi Lunches'doesn't have "single" written alll over it, doesn't mean it is any less worthwhile.
Ignore the sceptics who thought the Sneaker Pimps WAS Kelli. Chris Corner is more than capable of keeping up the high standard set by 'Becoming X'.
The Pimps succeded in recording a great guitar record that is ecclectic enough to distance itself from the bland indie rubbish prevelent at the moment.
Give it the attention it deserves...


I can't make up my mind if it was worth waiting for. To be honest, I can't compare it to Becoming X because they're so different. Not bad, but not brilliant. All i can say is 'let's see what they do on their third album!'
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